'Maamannan has no caste bias; it carries a positive message'

His planned exit from the film industry, his choice of Mari Selvaraj’s directorial Maamannan as his swan song as an actor, allegations that the film portrays a caste in a bad light, controversy regarding Kamal Haasan’s Thevar Magan, the potential entry of actor Vijay into politics, his role as a father, and his memories of his revered grandfather the late Kalaingnar M. Karunanidhi, were topics that came up during DC’s exclusive interview with actor-turned-politician Udhayanidhi Stalin.

Maamannan - The final film project:

It was a deliberate decision. After coming into politics, I wanted to do a hard-hitting film as my final acting outing. I love the kind of films Mari Selvaraj makes. That’s how Maamannan happened. Despite being slated for one of Kamal Haasan Sir’s productions, I had to step back due to my political responsibilities. Kamal Sir understood and stressed that serving the people was of greater importance.

The need for political films like Maamannan:  

Maamannan does not advocate caste pride; we made sure no caste was represented poorly. The film carries a positive message that reflects Mari Selvaraj’s political perspective. We did not have any issues with the Censor Board and got a U/A Certification from them.

Criticism of Thevar Magan:

There’s no link between Thevar Magan and Maamannan. Mari’s letter to Kamal Sir about Thevar Magan dates back years, and he has since provided clarity. People evolve over time. In 2010, when I was producing films, you asked me if I would act, and later in 2016, I said I wouldn’t venture into politics. Today you are seeing my own transition from film production to acting and then to politics.
In fact, Kamal Sir, who attended the audio launch of Maamannan, said, ‘I have seen Maamannan. It is not just Mari Selvaraj’s politics. It is mine too.'

Speculation on actor Vijay’s political debut:

Vijay's political aspirations remain his personal decision. Until he announces his political intentions officially, any commentary would be premature.

Vadivelu - The heart of Maamannan:

Vadivelu has the central role in Maamannan, while I play his son. Despite being a political thriller set in Salem, the film largely focuses on the father-son relationship. Mari was keen to bring Vadivelu on board for this serious role, but was hesitant to approach him. I initiated talks with Vadivelu. He was a bit apprehensive about accepting the father’s character. I explained to him the unique way Mari treats his screenplays.

Working under Mari’s directorial baton:

Mari's inimitable approach to directing had me puzzled during the initial days of shooting. He keeps dialogue sheets and scene papers close to his chest. However, after viewing the footage until the interval, I recognized the significance of Maamannan in Tamil cinema.

Granting son Inbanidhi freedom:

My 18-year-old son is currently studying abroad. As a father, I make it a point to respect his choices and refrain from imposing my ideas on him. I have given him full freedom to choose whichever career he wants.

On late CM Kalaingnar Karunanidhi:

I am filled with admiration for my thatha. His rigorous routine, passion for cinema and poetry, and astute understanding of Indian politics set him apart. If I can achieve even 1% of what he has done, I would consider it a feat.