Radeesh’s lamp journey extends beyond mere collection — to him, it’s about preserving cultural heritage and symbolism. He sees oil lamps as holding enduring significance in Indian culture, playing a role in life events and as conversation starters in spaces like courtyards and home entrances.
We spoke to him about his unusual passion.
What sparked your interest in lamps?
In my early twenties, the diverse shapes and forms of lamps across regions intrigued me. Each area boasted unique styles. My fascination grew as I discovered new pieces during my travels. The assortment of pieces I acquired gradually evolved into an extensive collection.
What aspect of the lamp do you find most compelling?
The finial, the uppermost part of each lamp, is very symbolic. Designs range from the common kalash to the hamsa, symbolizing a swan. They are associated with the deity the lamp faces. For example, a Nandi signifies a Shiva temple, a Garuda represents a Vishnu temple, and a lion heralds Goddess Durga.
My fondness for collecting lamps has led me to explore Tamil Nadu, Kerala and Sri Lanka. One memorable experience in Tamil Nadu stands out: an elderly gentleman gifted me an oil lamp, insisting that as a collector, I’d care for it well.
How do you curate your collection?
I look at specific elements in these pieces. Firstly, I see how unique they are in respect to the rest of my collection. Visually distinct items stand out along with considerations of the materials used, their historical period, and any intricate details that catch my eye.
Are there specific regions or styles of lamps that draw you?
Kerala stands out prominently when it comes to oil lamps. The lamps there possess a distinctive quality, unlike any found elsewhere. Temples often commission their oil lamps from Kerala, reflecting the region’s significant role in the production and diversity of lamps.
How has your passion evolved?
My collection has increased in scale. Initially I favoured smaller oil lamps, but my interest has shifted to larger ones, which are more challenging to store and display. Engaging in extensive reading expanded my knowledge. I aim to educate people by travelling with our Deepotsav exhibition to various parts of India and potentially internationally.
I integrate oil lamps into my home decor, occasionally placing them on my dinner table for an elegant look. During festivals, they’re always lit, adding to the celebratory ambience. However, primarily, they’re part of my collection. I have around 13 to 20 of them at any given time.
“Engaging in extensive reading expanded my knowledge. I aim to educate people by travelling with our Deepotsav exhibition to various parts of India and abroad”
