Afghan girl loses arm in war, paints with prosthetic

Read on to read the story of 7-year-old Shah Bibi Tarakhail

Update: 2014-04-04 13:37 GMT
Afghan war victim Shah Bibi Tarakhail uses her new prosthetic arm to paint during a private session with artist Dayvd Whaley at Galerie Michael in Beverly Hills, Calif., Wednesday, April 2, 2014. Shah Bibi, a 7-year-old Afghani who lost her arm
Beverly Hills, California: She had always loved to paint and draw, something it appeared the little girl from Afghanistan might never do again after she mistakenly picked up a grenade outside her war-torn home last year and it blew off much of her right arm.
 
But with the help of doctors, prosthetists and a prominent Los Angeles artist, 7-year-old Shah Bibi Tarakhail dispelled any notion that something as ugly as war can stifle a small child's determination to add beauty to the world.
 
"What color would you like?" asked artist Davyd Whaley as he sat next to her at a table at the Galerie Michael on Rodeo Drive in the heart of Beverly Hills yesterday afternoon.
 
"That one!" the normally reticent girl responded with a firm voice as she pointed to a tube of blue acrylic. Then, before her mentor could fetch it, she grabbed it with her new prosthetic hand, unscrewed the top with her other hand and began squeezing the tube's contents onto a palette.
 
As her friends from the nonprofit Children of War Foundation and the Shriners Hospital for Children Los Angeles looked on with delight, Shah Bibi proceeded to put a series of broad brush strokes across a piece of art board Whaley had provided. Soon there were shades of blue, green and yellow spread out across little stickers of fish, bunnies, a flower and sky that Whaley had showed her how to place on the board beforehand.
At one point she giggled with embarrassment as she accidentally squeezed a tube of orange paint onto the painting rather than the palette. But Whaley quickly assured her that accidental art sometimes makes the best abstract art.
 
"You're going to do a Jackson Pollock," he quipped.
 
The finished result, the artist said afterward, "was pretty mind-blowing."
 
Shah Bibi, he said, not only handles a brush well but has an impressive grasp of matching colors.
 
"She kind of has a facility for it if she wants to pursue it," added the artist whose own work is the subject of a large exhibition on display at Galerie Michael, where Shah Bibi was invited to join him after gallery owners learned of her love of art.
 
Less than a year ago, she was at home in Afghanistan when she went outside one morning to play with her brother. There had been a violent battle pitting Taliban fighters against U.S. military forces the night before, but that was nothing residents weren't used to. Their village had been a cauldron of violence since the Afghan war began.
 
"There was what looked like a rock that she picked up and threw on the ground and it exploded," said Ilaha Omar, a Children of War Foundation member who brought her to the United States, where Shriners Hospital treated her for free.
 
The explosion had destroyed her right eye, taken off most of her right arm, put a few scars on her face and killed her brother.
 
She was a little frightened the first time he saw her, said David Kraft, a prosthetist who helped fit her with her new arm. But she quickly warmed to the people around her and impressed them with how quickly she learned how to use it.
 
She'll return to her family in Afghanistan next week, but Children of War plans to bring her back next year to fit her with a prosthetic eye and attend to her scars.
 
Fluent in the Afghan languages of Pashto and Dari, she's also picked up a good deal of English since arriving in the U.S. late last year. Also an affinity for American culture. Decked out in a pretty dress and a pair of Minnie Mouse shoes, she sometimes sang along to the song "Let it Go" from the Disney film "Frozen" as she painted.
 
Afterward she was a bit quiet but still all smiles as she wandered the gallery with an iPhone, snapping pictures of the paintings, the sculptures and the people. And also a few selfies to take back home.
 
Then, as the afternoon grew longer and the gallery crowd thinned, Whaley asked if she might like to do another painting.
 
"Yes!" came the exuberant reply. And the pair got back to work.

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