Videos: Deepika Padukone looks exquisite in Sabyasachi Mukerjee creations

Mumbai: Deepika Padukone as ‘Padmaavat’ has made her way to theatres and is creating quite news on the big screen. The actress has now turned a muse for Sabyasachi as he wanted to showcase his creations. Deepika, who is often termed the epitome of beauty, looked like a bride in the collections, and honestly, it gets tough to get eyes off her. Here are some videos that Sabyasachi shared which prove that nobody except Deepika could’ve been perfect for the photoshoot: If you grew up in Bengal at the time I was growing up, sometime between late seventies and early eighties, you would know that the consumer was the designer. I spent hours watching my mother and her friends stretching organdy sarees over hand frames and hand painting exotic blooms on them. More often than not, they would match the blooms in their sarees to the real blooms on their hair. Talk about style! This is my homage to them. My mother and all her Bengal art school friends. What they lacked in terms of resources, they always over compensated with imagination. That is the true art of dressing well and good housekeeping! Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:50am PST In 2002, I rented my first apartment. And moved in there with my tailors and pattern makers. It was all under a thousand square feet. It would become my home, my factory and my atelier! I hand-painted the walls in ‘Bengal Red’ with motifs of flora and fauna inspired by the tree of life! The horses back then did look like rabbits and one bird I am sure looked a bit like a nondescript reptile. Old habits die hard and so a better version of the tree of life makes a second appearance. In Coromandel Red – dextrously hand-painted by The Sabyasachi Art Foundation. Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 11:01pm PST The homes of North Calcutta always fascinate me. Through winding lanes and decrepit alleys, one often stumbles upon ‘Paradise lost’. Humble tea stalls, crumbling book binding factories and dingy mustard oil presseries make way for forlorn palaces and music rooms of erstwhile ‘zamindars’. A lesson in sheer hedonistic maximalism. Osler and Baccarat chandeliers, completely engulfed in a shroud of cobwebs occasionally twinkling in the late afternoon sunlight, Devonshire china holding on for dear life on creaky cabinets, jostling for space amidst hand-painted tin and an occasional Lifebuoy soap perched precariously on a silver salver. Works of great European and Bengali masters co-existing in communal harmony with a calendar from a local pharmaceutical company, a withering taxidermy and Fuji-colour rendered black and white family portraits. As a parakeet and a cockatoo chirp in unison from the courtyard, my fingers swipe the dust from the walls to unveil yet another treasure. A hand-painted wallpaper from Paris, finely outlined with 18 carat gold! And one thought one knew the city! Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 11:07pm PST Deepika will soon be seen in Vishal Bhardwaj’s next with Irrfan Khan. The actress has also been in the news as it looks like she would get engaged to her alleged beau Ranveer Singh in this year.

Videos: Deepika Padukone looks exquisite in Sabyasachi Mukerjee creations

Deepika will soon be seen in Vishal Bhardwaj's next with Irrfan Khan.

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